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What gets to me is the negative comments about the camera, its technology, and how they show the hidden fear of the unknown.Īre people so afraid to change? If Nikon and Canon were to stop making cameras, would they fall apart? (That reminds me of people who were panicking during a BlackBerry blackout.) I was just looking at another article on the Lytro Illum camera, where they put it into the hands of a few professionals to see what could happen. However, if the 50-140mm lens is responsive and sharp, I don't think most people will notice a problem.Īm I more practical about these things? Is it really difficult to see that larger lenses can have better optics because there is more room for the correct geometry? When will companies produce a line of (almost) no-compromise lenses for small format camera bodies, when pigs fly? Nikon's 70-200mm f/2.8 lens has a 77mm filter size, though they don't have an APS-C sized version for an easy comparison. That makes me wonder about compromises made to the 50-140mm lens to allow it to be more compact than it should be. What I thought I saw was that the 50-140mm lens had a smaller filter size than the 16-55mm lens. I'm waiting to see the weather-sealed lenses from FujiFilm-the 16-55mm f/2.8 and 50-140mm f/2.8. It is much more compact than I would have expected. I expected the lens to have a 67mm or even a 72mm filter size. That the lens isn't huge also says a lot, especially when its zoom range is bigger than that of the 14-35mm lens. There is a lot of extra work to get 12mm working correctly, especially in a zoom. The fact that Olympus went to 12mm from 14mm says a lot. There are still compromises, I'm sure, but I haven't found them. The 12-40mm fits in-between the two in ability and price, but only uses a 62mm filter size. The difference is that I've been using the 14-35mm f/2.0 lens with a 77mm filter size and the 14-54mm f/2.8-3.5 with a 67mm filter size, both excellent lenses. Many people have complained about the size of the 12-40mm f/2.8 lens.
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(I'd rather it be the size of the 75mm f/1.8 and eschew any software fixes.) Similarly, Olympus' 12mm f/2.0 lens fixes things in software to allow such a tiny design to work. The trouble is that they made them so compact that there are many optical problems, many of which are ameliorated by software. They seem very well built, although they lack weather-sealing. Panasonic's micro Four-Thirds 7-14mm f/4.0 and 8mm fisheye lenses mimic Olympus' Four-Thirds lenses. We've seen this from what Olympus and Panasonic took from Four-Thirds to micro Four-Thirds. If you put things into a compact package, there are many compromises. I can't imagine why people can't understand that optimal (is there ever a perfect?) optics require room.
The Leica 15mm f/1.7 designed by Panasonic should be really quick since it is a better shape and has more (relative) room. Why? There isn't enough room for such a motor in a compromised (pancake) design. Similarly, the Panasonic 20mm f/1.7 pancake lens doesn't have fast auto focusing, even in the second generation lens. Oh, and you want it pocket sized? Easily done." :-D "Ultra Wide Angle lens for US$500? Sure, we can do that. There are other lenses from other optics makers which have similar convex front elements, but this is lost on those who just want a fantasy. Those lenses don't reach 7mm at the wide end. Somehow, many people, who probably won't be buying the lens anyway due to the price, think it's a simple matter to design such a lens to accept a filter in front because on formats with larger sensors, the equivalent focal length lenses can accept a filter. It should be obvious that drastic measures are needed to correct for distortion. As the ultra-wide-angle end is at 7mm, they've had to use a pronounced convex front element, which of course, doesn't allow a filter.
Popular Android.I was looking at an article on Olympus' micro Four-Thirds 7-14mm f/2.8 lens.
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